After watching Hiroshima mon amour (Alain Resnais, 1959), respond to the following:

The preface to Hiroshima mon amour (Alain Resnais, 1959) begins with a woman listing all the things she’s seen in Hiroshima, the male narrator though “negates” what she’s seen—“You saw nothing.” How the film works through these tensions—memory vs. history, memory vs. forgetting, and actual event vs. its (cinematic) representation?(150-300words)

When responding to your classmates, consider the following:

Find a post that you disagree with regarding their position on Hiroshima mon amour. Respond respectfully as to why you think otherwise.

• When responding to post, consider the following:

Find a post that you disagree with regarding their position on Drunken Angel and The Gate of Flesh. Respond respectfully as to why you think otherwise. (100words)